Belgian filmmakers Hélène Cattet and Bruno Forzani trade in the crushed velvet and creeping shadows of their giallo-worshiping first two films (Amer, The Strange Color of Your Body’s Tears) for blistering sun, creaking leather and raining bullets in this glorious homage to 1970s Italian crime films. After a gang of thieves pull off a daring hold-up of an armored car for a load of gold bars, they retreat to a crumbling, secluded mansion perched on the cliffs of the Mediterranean. Home to a reclusive yet hypersexual artist and her motley crew of family and admirers, it seems like a perfect hideout. But when two cops roll up on motorcycles to investigate, the clifftop erupts into a hallucinatory battlefield as both sides engage in an all-day, all-night firefight rife with double-crosses and dripping with blood. Based on a classic pulp novel by Jean-Patrick Manchette and featuring music by Ennio Morricone, Let the Corpses Tan is a deliriously stylish, cinematic fever dream that will slamfire your senses like buckshot to the brain. (Fully subtitled)