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Filmmaker Letter

Filmmaker Letter

Never Rarely Sometimes Always

by writer/director Eliza Hittman

On behalf of Focus Features and the cast and crew of Never Rarely Sometimes Always, I would like to thank Charles S. Cohen and the entire staff of Landmark Theatres for exhibiting the film; I applaud your bravery for helping us get this film seen, particularly in places in the U.S. where reproductive rights are under threat. The spark for my new film came in 2012, when a woman named Savita Halappanavar died of blood poisoning in a hospital in Galway after being refused a life-saving abortion. Out of devastation, I naively began to research the history of abortion rights in Ireland. In a country where abortion was criminalized, I became fascinated to learn that women who needed abortions were forced to travel from Ireland to England. 
 
I began to read more and more about Ireland’s hidden diaspora and saw a compelling untold narrative about ‘women on the run’ traveling with the unbearable burden of shame. These migratory abortion trails also exist within our own country from rural areas with limited and restrictive access, past state lines and into progressive cities. Through extensive research and interviews over several years I developed this script. After premiering Beach Rats at Sundance in 2017 and following the inauguration of Trump, I felt an urgent need to make this film now. The fate of a woman’s fundamental right to access is at risk. If Roe v. Wade is attacked and abortion made illegal nationwide, how far will we have to travel?
 
Savita Halappanavar’s death revolutionized Ireland. It unified feminist groups throughout the country and galvanized a movement to reverse the cruel Eighth Amendment that recognizes the life of a mother and a fetus as being equal. They were activated because her identity was not anonymous. She had a name, a face, a warm smile that the country could feel and mourn. The abortion ban was historically repealed last May. 
 
Amidst such a fraught moment in U.S. history, it’s hard not to ask myself how I am doing in my artistic practice can create change. Women’s issues are global issues. By taking a social and political issue and demonstrating its impact on one individual or character, my goal is to find ways to get past our audiences’ defenses against this stigmatized subject and open people up to confronting difficult realities. 
 
As an extension of my body of work, the film balances realism and lyricism, beauty and horror, fear and hope. It is infused with intimacy, discomfort, tension and truth. It will ignite controversy and conversation. Never Rarely Sometimes Always is ultimately a story about resistance and will perhaps even inspire change.

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