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Half
Nelson
• by director/co-writer Ryan Fleck
I’ve never wrestled, like on a mat with an actual opponent or
anything. But I remember being really fascinated with the concept of
the “half nelson” hold for a long time now.
The idea that you’re only half stuck, where in a “full
nelson” you’re
totally and inescapably stuck, the half nelson seemed to provide a
glimmer of hope for one in its grasp. It also made sense to me that
other things (not just people) could put us in half nelsons too: addiction,
government, corporations, school, family, ex-girlfriends.... And when
my filmmaking partner, Anna Boden,
and I began developing the script for our new movie, it felt like all
of us were getting pinned in a George W. Bush half nelson.
In the lead up to Bush’s invasion of Iraq there was massive public
resistance all over the world. Millions of people took to the streets
in protest. Anna and I were among them in New York City with a few other
friends. On one hand, it was incredibly thrilling to be a part of this
enormous act of protest (taking place months before the first bombs
were dropped), but I was also troubled by the feeling that none of it
mattered. Of course, I always love chanting “Bush, you liar! We’ll
set your ass on fire!” or getting lost in the rhythm of the marching
drum section, or laughing at the hilarious antics of the Billionaires
for Bush radical street theatre, but when it was all over, we just
went home. I don’t mean everybody. There were thousands arrested
in courageous acts of civil disobedience, and dedicated activists who
used the march as a tool for organizing and building momentum for future
acts of resistance, but I wasn’t a part of that. I just went home,
back to my life as an aspiring filmmaker.
The war began
and I continued
to attend protests, but I couldn’t get over the fact that it
just wasn’t enough. I wondered how one person, alone, could actually
make a significant impact on the world. The character of Dan Dunne
(played by Ryan Gosling) was born out of this frustration—a
man who felt equally frustrated, caught between his idealism and his
own hypocrisy. And though the story evolved into something more personal—a
man wrestling with other things, like a secret drug habit and a somewhat
inappropriate friendship with his 13-year-old student—the political
frustration this story emerged from, and that many of us continue feeling
today, remains crucial to Half Nelson’s landscape.
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