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The
Assassination of Richard Nixon
• by director/co-writer Niels Mueller
One man’s terrorist is another man’s patriot…it
all depends on which side of the fence you happen to be on…It’s
a quarter after four in the morning now, I’m at the airport. This
used to be called Friendship Airport. That’s one thing this world
doesn’t have enough of or much of, that is friendship. Very unfortunate
that I have to kill and get killed to make a point, but if I make the
point and show you the futility of this stupid greed; when we live in
a world that could be plentiful for everybody. If I could show you that
millionaires do not have to be billionaires to be happy–they should
not have to be, while other people do without. If that lesson can be
learned, and I doubt if it can, it hasn’t been learned for thousands
of years, but somebody has to resist, just somebody has to resist or
else there is no end to tyranny…
–Sam Bicke 1974
Sam Bicke spoke these words into the microphone of his reel-to-reel
tape recorder as he sat in his parked car outside the Baltimore-Washington
International Airport on February 22, 1974. The Assassination
of Richard Nixon is based on the true story of this American
“everyman” who, in 1974, attempted to assassinate President
Richard Nixon. Why was he at the airport? Because he planned to hijack
a passenger jetliner and dive bomb it into the White House. After Kevin
Kennedy and I finished the screenplay in 1999–you can go online
to confirm the year–you’ll see blurbs in Variety
and The Hollywood Reporter announcing that Sean Penn had signed
on to play the lead. People reading the script would invariably comment
on the “crazy” or “hair-brained” scheme Mr.
Bicke had come up with to take out the Commander in Chief. That commentary
changed after 9/11. The script did not.
There were film companies that suggested the script be changed, who
stated flat-out that, after 9/11, they would “never make a film
with an ending like that.” Others felt that the film
shouldn’t be made…period. My feeling was that the fact that
something based on truth has become more relevant doesn’t mean
you shove it in a dark corner somewhere. “Why run away from relevance?”
was my thought–especially when people found the script engrossing
and entertaining. Luckily I found producers who agreed with me, who
embraced the relevance of the material and who also responded to both
the drama and the undercurrent of humor in the story. And luckily
I had Sean Penn who delivered all of the above in spades.
Don’t worry, in talking about the ending, I haven’t really
given anything away…you’ll see! At least I hope you will.
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