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Is it possible for a photograph to change the world? Photographs taken by
soldiers in Abu Ghraib prison changed the war in Iraq and changed America's
image of itself. Yet, a central mystery remains: Did the notorious Abu Ghraib
photographs constitute evidence of systematic abuse by the American military,
or were they documenting the aberrant behavior of a few "bad apples"?
Director Errol Morris (The Fog of War) set out to examine the context
of these photographs, talking directly to the soldiers who took them and who
were in them. After two years of investigation, he amassed a million
and a half words of interview transcript, thousands of pages of unredacted
reports, and hundreds of photographs. The story of Abu Ghraib is still shrouded
in moral ambiguity, but it is now clear what happened there. Official
Web Site Mick LaSalle's San Francisco Chronicle review... |
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Helen Hunt makes her feature directing debut with the touching story of schoolteacher
April Epner (Hunt) and her very unlikely path towards personal fulfillment.
Following the separation from her husband (Matthew Broderick) and the death
of her adopted mother, April is contacted by her apparent birth mother (Bette
Midler), who turns out to be a local talk show host Bernice Graves. As Bernice
tries to become the mother to April that she was never able to be, April seems
to find solace in the arms of the parent of one of her students (Colin Firth),
only to find that the mystery to life's questions cannot be solved by a simple
revelation. Adapted from Elinor Lipman's novel of the same name. Official
Web Site Ruthe Stein's San Francisco Chronicle review... |

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Jean (Gad Elmaleh), a shy young bartender, is mistaken for a millionaire
by a beautiful seductress named Irene (Audrey Tautou, Amélie).
When Irene discovers his true identity, she abandons him, only to find that
a love-struck Jean has no intention of letting her get away. Jean's comical
attempts to gain her affections gradually evolve into setting himself up as
a gigolo at a luxury hotel, until Irene finally starts to warm to her persistent,
persuasive suitor. Against the wildly atmospheric backdrop of the south of
France, Pierre Salvadori (Après Vous) directs this sexy and
thoroughly charming romantic comedy, which is a fresh re-imagining of the
cinema classic Breakfast at Tiffany's. Official
Web Site Director Salvadori on meeting the right person at the wrong time Mick LaSalle's San Francisco Chronicle review... |
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The English-language debut of acclaimed Indian director Santosh Sivan (Asoka,
The Terrorist) is set in 1930s southern India against the backdrop
of a growing nationalist movement. Rahul Bose stars as an idealistic young
Indian man who finds himself torn between his ambitions for the future and
his loyalty to the past when people in his village learn of an affair between
his British boss (Linus Roache) and a village woman (Nandita Das). Co-starring
Jennifer Ehle and John Standing. Presented by Merchant Ivory, creators of
A Room With a View, Howards End and The Remains of the Day. Official Web Site |
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| This tenderly comic story follows three generations of women in a Mexican-American family during one hot summer in the small border town of Somerton, Arizona. When Dona Genoveva (Lucy Gallardo), the Garcia family matriarch, purchases a car, she sets off a chain of events that leads to a sexual revolution within her family, from her middle-aged daughter (Elizabeth Peña) to her teenage granddaughter (America Ferrera, "Ugly Betty"). Co-starring Steven Bauer, Jorge Cervera Jr., Rick Najera and Leo Minaya. Written and directed by Georgina Garcia Riedel. Official Web Site |
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| The longest-running midnight movie of all time stars Tim Curry as the kinky yet endearing “transsexual from Transylvania” Dr. Frank N. Furter, Susan Sarandon and Barry Bostwick as his hapless guests Brad and Janet, Meat Loaf as motorcycle-riding rough trade and author Richard O’Brien as the hunchbacked butler Riff Raff. It’s harmless musical fun—a delightful spoof of Hollywood horror movies and Old Dark House melodramas. All of our engagements feature live casts who perform scenes during the movie, and the audience is always welcome to respond to the on-screen action. The Rocky Horror Picture was the first—and is still the best—interactive movie experience! Official Web Site |